Brandon Reese’s exhibition opened February 21, 2019 and will run until March 23, 2019 at exhibit by Aberson in Tulsa - 3524b S. Peoria Tulsa, Ok. 74105
Richard A. Bivins (1939-2018)
Richard A. Bivins was born on October 21, 1939 in Shidler, OK, to Walter and Jesse Bivins. He finished high school in Barnsdall, OK, and then went on to study art at Oklahoma State University, completing his BFA in Studio Art in 1961.
Congratulations to Associate Professor of Art History Shaoqian Zhang, who won the 2017 College of Arts and Sciences Junior Faculty Research Award.
Louise Siddons, Associate Professor of Art History
Irene Backus, Assistant Professor of Art History
Phil Choo, Professor of Graphic Design
Pouya Jahanshahi, Assistant Professor of Graphic Design
Nov. 9, 2015 - March 12, 2016
Luxury. Accumulation. Alienation from nature. These topics, considered from a gendered perspective, are what artist and OSU Associate Professor Angela Piehl invites us to explore through paintings and drawings featured in this exhibition. Using a wide range of sources, Piehl employs images and photographs of both designed and natural beauty as a starting point for abstracting and re-combining elaborately decorative, even at times grotesque, elements. References to organic materials such as flesh, hair, tentacles, eggs, fat, bone, muscle, crystalline structures, and wood appear alongside her choices of color, pattern, and textural artifice to produce what Piehl calls "feral bouquets." At once engaging and seductive, while also repellent and abject, these biomorphic abstractions address multiple layers of the human condition through their allegorical and narrative allusions.
September 15 2014 - January 17, 2015
This exhibition features more than 30 works spanning two decades by artist and OSU professor Chris Ramsay. Collecting everyday souvenirs, Ramsay creates mixed-media sculptures that invite the viewer to look closely at traces of time and life: not rare and precious artifacts but simple, anonymous objects from marine fossils and arrowheads to postcards and Coke bottle shards. The intimate experience of looking into these works and reflecting on the objects that have touched one's own life elicits a subtle revelation all too often left untapped by art today. Ramsay's sculptures achieve their ends through unpretentious materials, intimate scale, natural harmonies, and quiet conduciveness to thought.
From nmhistorymuseum.org: The Virgin of el Pueblito, a miraculous 18th-century icon that found its iconographic source in a Peter Paul Rubens oil sketch (ca. 1632), was propagated by late colonial Franciscan friars and circulated throughout the viceroyalty in print and painted form. Originally noted for extirpating idolatry in colonial Querétaro, this talk considers her initial socio-religious and political importance before exploring her impact and significance in nineteenth-century northern New Spain.